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Author Archives: Andrea Bird
The Encaustic Iron & Edges

The edges of encaustic paintings/panels can be treated in a variety of ways. Some artists mask the edges, and then remove the tape and paint them in acrylic. It is also possible to cover the edges with encaustic medium. The … Continue reading
Playing with Encaustic – Give it a Whirl!

Play is such an important, yet not often talked about aspect of creativity. It became apparent to me at a crucial point in my artistic career that if there is not an aspect of play during the time that I’m involved in a piece, then it isn’t going anywhere. Play allows for letting go, and loosening the grip on the brush. This is what I aim to do in my encaustic workshops, by creating a place where letting go is encouraged. Continue reading Continue reading
Painting in a grid: drawing the line!

For years, before encaustic, I painted in a grid, and my pieces often reminded people of quilts. Then along came the wax and my grid was gone! The wax didn’t want to flow into squares and rectangles, and so I … Continue reading
Choosing the right encaustic fusing tools

When painting with encaustic, one needs to fuse the first layer of wax to the substrate and then each subsequent layer needs to be fused to the layer below. The artist will fuse the layers of wax with either a … Continue reading
Waxing On: My favorite iron technique

This versatile fusing tool is often overlooked, and yet it can give us so many wonderful effects! Andrea Bird will be demonstrating Fusing with the Iron at the Encaustic Conference. Here she gives us a taste of what’s to come. Continue reading Continue reading


